Jump to content
Main menu
Main menu
move to sidebar
hide
Navigation
Main page
Recent changes
Random page
freem
Search
Search
Appearance
Create account
Log in
Personal tools
Create account
Log in
Pages for logged out editors
learn more
Contributions
Talk
Editing
Openai/69186d20-2d14-8013-b9c6-c09000f173f6
(section)
Add languages
Page
Discussion
English
Read
Edit
Edit source
View history
Tools
Tools
move to sidebar
hide
Actions
Read
Edit
Edit source
View history
General
What links here
Related changes
Special pages
Page information
Appearance
move to sidebar
hide
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
==== Timeline, very compressed: ==== # Proto-Celtic / early Old Irish - Had real geminate consonants: /ll, nn, mm, rr/ with extra duration. - These came from: - inherited IE geminates, - assimilation across morpheme boundaries, - analogical formations. # Old Irish - Geminate vs single distinction in sonorants gets reinterpreted: - Geminate ll, nn, mm, rr → “fortis” sonorants (stronger, tenser) - Single l, n, m, r → “lenis” (weaker) - At this stage, length is no longer the main cue; you get a bundled cluster of phonetic effects (duration, articulation, maybe lowering of preceding vowel). - Crucially: this fortis/lenis contrast is now phonemic in some positions. # Middle → Modern Irish - The functional load of fortis vs lenis shrinks: - Many former contrasts are lost or neutralized in common environments. - Broad vs slender becomes the salient contrast (and is reinforced by spelling). - Orthography keeps ll, nn, mm, rr in lots of places, but now the fortis realization is mostly reduced to subtle timing/quality differences, not a clear-cut second parameter. So to your specific options: : Best description: * There was true gemination originally. * The geminate vs non-geminate contrast then turned into a fortis vs lenis contrast (same segment quality axis, different primary cue: tensity rather than raw length). * That fortis/lenis contrast has since been mostly absorbed into: - broad vs slender, - general timing/strength patterns, - and lexicalized idiosyncrasies. So: fortis sonorants are historically “ex-geminates”. They’re not some independent ancient tense/lenis system that gemination later merged into; rather, gemination was reanalysed as “fortis”, and then the phonetic salience of this fortisness has faded over time.
Summary:
Please note that all contributions to freem are considered to be released under the Creative Commons Attribution-ShareAlike 4.0 (see
Freem:Copyrights
for details). If you do not want your writing to be edited mercilessly and redistributed at will, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource.
Do not submit copyrighted work without permission!
Cancel
Editing help
(opens in new window)