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Openai/6874b524-4134-8013-b5e6-0601c853d841
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==== On the 50th anniversary of Yakob's death, two concerts are held: ==== * One in the Tchaikovsky Concert Hall, broadcast on national TV, features orchestrated versions of his early folk melodies with a lavish visual backdrop of the Kremlin. * One in a ruined theater outside Kazan, lit by candles and cell phones, features a live performance of Lullaby for a Starved City, followed by a dancer tracing barefoot arcs in ash. The state show ends in applause. The underground vigil ends in silence. Both claim to honor him. Only one does. Would you like to continue into 2018–2024, tracing the Gershovitz legacy in the era of global authoritarian resurgence, Ukraine’s war, and memory as political terrain? Or shall we pause for a narrative scene from this period of digital distortion and quiet defiance?
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