Editing Openai/6874b524-4134-8013-b5e6-0601c853d841 (section)

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* Israel’s early revolutionary poems are reprinted alongside Orthodox folk verse—completely severed from his Jewish identity.
* Yakob’s compositions are described as “proto-patriotic modernism.”
* Franka is portrayed as “a daughter of Russian ballet whose quiet dignity served the people.”

====== - Yakob is reimagined as a misunderstood genius silenced not by the state, but by “Western jazz seduction and self-doubt.” ======
* Franka is depicted as a chaste muse for patriotic resilience.
* Artur is omitted entirely.
* Israel’s ethnicity is never mentioned; the Holocaust cycle Night Without Flags is excluded from the script.

The series is never completed—scrapped due to budget concerns and political infighting—but the scripts circulate, and the aesthetic recast the Gershovitz name in the public imagination.